Queen Isabella II

1854

1855

1856

1859

1861

1862

1863

1864

5-Cuartos

10-Cuartos

1-Real

2-Reales

1-Real

1-Real

January 1863

1-Real

 

Gooding #16F1
Bartels C19.1; Collin (Page 640)

The 'C' of 'CORREOS' is too near to the left frame and too tall and the second 'R' is too large. The second 'R' of 'INTERIOR' is too wide at the bottom. The circle almost touches the line at the top and bottom, with only one row of the fish-scale network above the top of the central circle and two below the bottom of it. There are nine-two pearls round the central circle, and they are all distinctly separate from each other, except two near the chignon; whereas in the genuine, some of them run together. The Queen's lip is pointed somewhat upwards. The bust is too much pointed. Known unused or cancelled. (Similar plate to Gooding #14F3, #15F1 and #17F1).

No picture available

 

Gooding #16F2
Bartels C19.2; Earee - First Forgery (Page 213); Serrane (Page 225)

Senf Brothers Forgery. Believed to be of German origin. Typographed on stout, extremely wove paper. The letters of 'CORREOS' get larger from 'C' to the end, so that the 'S' almost twice as large as the 'C'. This is a great exaggeration of the genuine. The letters 'NT' of 'INTERIOR' are considerably larger than the rest. There is no period after 'RL'. Some stamps exist with the word 'FALSCH' printed in blue just above the lower label. Known to exist unused and used with parallel bars in an oval.

 

Gooding #16F3
BPA - Sperati (Page 135)

Jean de Sperati forgery. The shading on the nose, under the chin and on the neck, have lost a certain amount of detail and cover a smaller area than they do in the genuine. There are a number of major flaws in the top inscription. The upright of the second 'R' in 'CORREOS' is broken away from the loop and the tail. The head of the 'S' is broken, there are two white spots, one in the belly and one in the lower serif and there are two indentations under the diagonal stroke. The upper right serif is broken off the 'T' in 'INTERIOR' and the bottom left serif is cut away. The second 'I' is cut away and there is a break at seven o'clock in the 'O'. In the word 'FRANCO', the 'C' has a defect on the right of the upright and the 'O' has a crack at two o'clock. Die proofs are known in black and in colour, as well as unused and used reproductions. Some copies are known with a 'Sperati Reproduction' handstamp in purple on the back.

 

Gooding #16F4

Dangerous forgery in purpose and also printed in shades of orange. First 'O' in 'CORREOS' is broken on the bottom right corner. Circle on bottom left broken on bottom left corner. Circle on bottom right has a crack in the middle on the left side. Thick eyebrow not showing the line details as on the original stamp. Shading around the central bust is crude and appears more condensed.

 

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